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低速和低速增強的失真
當邁克爾插入我們製作的第一個踏板之一時,T-Rex Vulture開始了它的生命。那個踏板有一種我們真正喜歡的聲音,但它在低端有點蹩腳。我們想用這種聲音製作一個踏板,但是它具有更緊湊,更少模糊的低端和更多的增益。
我們打開踏板並精心測量其中的所有內容,找出它聽起來如此之好的原因,並找到了幾個與其他值相比更好的電阻器。
它是在生命的早期修改過的,還是從90年代在Lars的地下室裡製作出來的時候,這只是一個非常好的錯誤?
我們所知道的是,基本的聲音很酷,我們把它留在那裡,然後繼續專注於讓低端緊張 - 但是很大!
我們的工作成果是一個踏板,它有一個很好的,嘶啞的扭曲和一個很好的咬合,但低端和低中頻可以在很多方面形成,由於低和脂肪增強旋鈕。這允許玩家撥入幾乎愚蠢的低點,但失真保持緊張,而不是泥濘。
DISTORTION WITH LOW AND FAT BOOST
The T-Rex Vulture started its life, when Michael plugged in one of the very first pedals we made. That pedal had a certain sound to it that we really liked, but it was a bit grungy in the low-end. We wanted to make a pedal with that sound, but with a tighter, less fuzzy low end and with more gain.
We opened up the pedal and painstakingly measured everything in it, to find out why it sounded so good, and found a couple of resistors that would be better with other values.
Was it modified earlier in life or was this just a very good sounding mistake from when it was made in Lars´ basement way back in the 90´s?
All we know is that the basic sound was cool and we left it at that, and went on to focus on getting the low-end tight - but BIG!
The fruit of our labor is a pedal that has a great, throaty distortion with a nice bite to it but the low end and low midrange can be shaped in many ways, thanks to the low- and fat-boost knobs. This allows the player to dial in almost stupid amounts of lows, but the distortion stays tight, not muddy.